Super Marco, a filmmaker from rural Minas Gerais, faces limited prospects and joins a Brazilian government assistance program for disillusioned young filmmakers. His journey, marked by sarcasm and irreverence, uncovers the flaws in the machinery of independent cinema. Here, existence is also a battleground of class struggle. Between being and not being, from the absurdity of trap music to the fury of the guitar, the rooster crows, unveiling the transformative power of creation. (Bruno Hilário)